The orchestration of these ingredients are briefly described next. We regard the motif discovery process as distributed on two stages, where the first stage unearths motifs endowed with a certain set of properties and the second implements them in the compression. The first part was dealt with in the preceding section. Like with rigid motifs in [5], the flexible ones presented here may be restored at the receiver using information about gap filling, to be transmitted separately. In images, for instance, a tremendous amount of compression is attained, albeit with a large loss such as 40% or so, yet simple predictors in the form of linear interpolation restores more than 95% of the original.